It’s like people associate having a cigarette with having a cup of coffee, or lunch. IGGY POP: You know what I think you get scared of more-especially me, after touring for so long and being in bands for so long-you start to associate certain behavior with the music. ROBINSON: Weren’t you afraid of getting a disease? ROBINSON: What do you mean, sleeping around? And also, I was sick of sleeping around every night. I started to wonder what it must feel like to actually make a profit, pay taxes, and to have a phone listing, and a manager. It used to be cash in hand, stuff in the pocket, or a manager would keep some accounts and give me money. At that time, I found my work self-referential it was getting to be rock songs about a rock singer who lived a rock life on the rock road, and I was starting to wonder what I would be like to rent my own apartment, what it would be like to have a checkbook. IGGY POP: Well, after Zombie Birdhouse came out, I toured behind it in the fall of 1982, into the spring, and in the summer in the Far East. LISA ROBINSON: What have you been doing for the last four years? More significantly, it coincides with a new, cleaned-up, married Iggy, who says he can enjoy simple things these days-like being friends with his dentist and shopping in the supermarket. This should be the breakout album for the performer who for the past 18 years-from his beginnings with The Stooges in Ann Arbor, Michigan, through countless albums and notorious on-stage performances-has embodied the raw power of rock ‘n’ roll energy.
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The album, his first under a recording deal with A&M Records, also marks a professional reunion between Iggy and his longtime friend and sometime producer and co-writer, David Bowie.
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Iggy Pop, considered by many to be America’s original bad boy/rock ‘n’ roll rebel, has returned to the public eye after a four-year hiatus with a brilliant new album, Blah Blah Blah, and a dramatic role of Martin Scorsese’s movie The Color of Money. In honor the performance, here we revisit an interview with the icon from November 1986, in which he discusses Bowie and the everlasting life of this exact song. On the stage at Carnegie Hall, though, Iggy Pop performed “Tonight” as a duet with Sharon Jones, much like Bowie later recorded the same song with Tina Turner on his album Tonight. returned to the stage (although FKA Twigs was absent) to sing “Together,” which Iggy Pop originally co-wrote for his LP Lust for Life with Bowie. Iggy, the last act of the night, performed four songs in total, finishing with a special tribute to David Bowie. The Tibet House hosted its 30th annual benefit concert and gala, spearheaded by Philip Glass and featuring special performances by Canadian up-and-comer Basia Bulat, FKA Twigs, Sharon Jones, the Patti Smith Group (sans Smith), Iggy Pop, and more. Musical genres and generations came together on Monday night with one voice: to preserve Tibetan culture.
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